


In addition to being a celebrated experimental animator, Jan Lenica (1928-2001) was a multi-talented artist known for his poetic and surreal graphic art in many forms. Whether working with film, posters, book illustrations, or designs for theater costumes or postage stamps, Lenica expressed very forcefully his satirical ideas, dark humor, and profound skepticism about life. He was an important pioneer of modern independent animation, as well as one of the leading Polish poster artists of the last century. He worked and taught in Poland, Paris, America, and Germany, earning international acclaim and numerous awards.
Jan Lenica appeared on Screening Room in April, 1973. He screened and discussed excerpts from his films Fantorro, Monsieur Tete, A and Labyrinth.
Screening Room was a 1970s Boston television series that for almost ten years offered independent filmmakers a chance to show and discuss their work on a commercial (ABC-TV) affiliate station. The series was developed and hosted by filmmaker Robert Gardner (Dead Birds, Forest of Bliss), who was Chairman of the Department of Visual and Environmental Studies and Director of the Carpenter Center for Visual Arts at Harvard for many years.
This unique program dealt even-handedly with animation, documentary, and experimental film, welcoming such artists as Jan Lenica, John and Faith Hubley, Emile DeAntonio, Jean Rouch, Ricky Leacock, Jonas Mekas, Bruce Baillie, Yvonne Rainer and Michael Snow. Frequently, guests such as Octavio Paz, Stanley Cavell, and Rudolph Arnheim appeared as well.
Nearly 100 programs were produced during the years Screening Room was broadcast. Recently, The Museum of TV and Radio in New York City offered to copy the two-inch master tapes that had been given to the Film Study Center.
Applied Arts, Film/Video, Graphic Arts/Printmaking, Biography and Autobiography, Filmmakers, Media and Visual Arts, The Arts
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© 2009 Tribeca Film Institute
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