


Drawing on traditions of 19th-century landscape painting and still photography, Hutton’s contemplative, meticulously composed films unfold as a series of tablwaux separated by black leader. His work, primarily minimalist, silent portraits of cities and landscapes, has been shown at important festivals and in major museums across Europe and the United States including the Museum of Modern Art and five Whiteny Biennials. He has received the Dutch Film Critics Award, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the Rockefeller Foundation. He has taught at Hampshire College, Harvard University, SUNY Purchase, and has been a Professor of Film at Bard College since 1984.
Peter Hutton appeared on Screening Room in March 1977 to screen and discuss excerpts from the films July ’71 in San Francisco…, Images of Asian Music, Florence, New York Near Sleep for Saskia, and footage from New York Portrait: Chapter One.
Screening Room was a 1970s Boston television series that for almost ten years offered independent filmmakers a chance to show and discuss their work on a commercial (ABC-TV) affiliate station. The series was developed and hosted by filmmaker Robert Gardner (Dead Birds, Forest of Bliss), who was Chairman of the Department of Visual and Environmental Studies and Director of the Carpenter Center for Visual Arts at Harvard for many years.
This unique program dealt even-handedly with animation, documentary, and experimental film, welcoming such artists as Jan Lenica, John and Faith Hubley, Emile DeAntonio, Jean Rouch, Ricky Leacock, Jonas Mekas, Bruce Baillie, Yvonne Rainer and Michael Snow. Frequently, guests such as Octavio Paz, Stanley Cavell, and Rudolph Arnheim appeared as well.
Nearly 100 programs were produced during the years Screening Room was broadcast. Recently, The Museum of TV and Radio in New York City offered to copy the two-inch master tapes that had been given to the Film Study Center.
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© 2009 Tribeca Film Institute
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