


John and Faith Hubley appeared on Screening Room in April 1973 to discuss and screen their films Eggs, The Hat, Children of the Sun, and Zuckerkandl.
John and Faith Hubley worked as a team over many years to set standards for creative animation. Beginning at Disney, they moved on to develop new techniques, such as watercolor work on paper, and to offer bold political content. They were the first to combine animation with jazz, working with such artists as Ella Fitzgerald, Dizzy Gillespie, and Oscar Peterson. Later they were commissioned by Sesame Street to create television animation for children. The Hubleys received Academy Awards for Moonbird (1960), The Hole (1963), and Tijuana Brass Double Feature (1966).
Screening Room was a 1970s Boston television series that for almost ten years offered independent filmmakers a chance to show and discuss their work on a commercial (ABC-TV) affiliate station. The series was developed and hosted by filmmaker Robert Gardner (Dead Birds, Forest of Bliss), who was Chairman of the Department of Visual and Environmental Studies and Director of the Carpenter Center for Visual Arts at Harvard for many years.
This unique program dealt even-handedly with animation, documentary, and experimental film, welcoming such artists as Jan Lenica, John and Faith Hubley, Emile DeAntonio, Jean Rouch, Ricky Leacock, Jonas Mekas, Bruce Baillie, Yvonne Rainer and Michael Snow. Frequently, guests such as Octavio Paz, Stanley Cavell, and Rudolph Arnheim appeared as well.
Nearly 100 programs were produced during the years Screening Room was broadcast. Recently, The Museum of TV and Radio in New York City offered to copy the two-inch master tapes that had been given to the Film Study Center.
Jazz/Blues, Animation, Biography and Autobiography, Filmmakers, Media and Visual Arts, Music, The Arts
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