


Independent animator George Griffin has dedicated himself to the pursuit of animation as an art form. Originally from Tennessee, he became a pivotal figure of New York's experimental film scene in the 1970s with his self-reflexive, irreverent and personal films that challenge traditional notions and methods of animation. He has taught at institutions including the Parsons School of Design, Pratt Institute, and Harvard University, and his films have screened in museums and festivals around the world. More information and his collected films, Griffiti, are available at www.geogrif.com.
In October 1976, George Griffin appeared on Screening Room to show and discuss his animation work including the films Rapid Transit, Candy Machine, Trik Film #1, Trik Film #3 and Head, as well as some works that were in progress at the time.
Screening Room was a 1970s Boston television series that for almost ten years offered independent filmmakers a chance to show and discuss their work on a commercial (ABC-TV) affiliate station. The series was developed and hosted by filmmaker Robert Gardner (Dead Birds, Forest of Bliss), who was Chairman of the Department of Visual and Environmental Studies and Director of the Carpenter Center for Visual Arts at Harvard for many years.
This unique program dealt even-handedly with animation, documentary, and experimental film, welcoming such artists as Jan Lenica, John and Faith Hubley, Emile DeAntonio, Jean Rouch, Ricky Leacock, Jonas Mekas, Bruce Baillie, Yvonne Rainer and Michael Snow. Frequently, guests such as Octavio Paz, Stanley Cavell, and Rudolph Arnheim appeared as well.
Nearly 100 programs were produced during the years Screening Room was broadcast. Recently, The Museum of TV and Radio in New York City offered to copy the two-inch master tapes that had been given to the Film Study Center.
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© 2009 Tribeca Film Institute
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