


Alan Lomax spent over six decades working as a musicologist, author, record producer, filmmaker, concert promoter, singer, photographer, and network radio host to promote knowledge and appreciation of the world's folk music. As an anthropologist of the performing arts he produced a multimedia database called The Global Jukebox, which surveys the relationship between dance, song, and human history. He was a lifelong advocate for "cultural equity," proposing to reverse the centralization of communications and secure a valid forum for the expressive arts of all indigenous cultures. Alan Lomax appeared on Screening Room in August 1975 to discuss the theory of Choreometrics and show the film Dance and Human History.
Screening Room was a 1970s Boston television series that for almost ten years offered independent filmmakers a chance to show and discuss their work on a commercial (ABC-TV) affiliate station. The series was developed and hosted by filmmaker Robert Gardner (Dead Birds, Forest of Bliss), who was Chairman of the Department of Visual and Environmental Studies and Director of the Carpenter Center for Visual Arts at Harvard for many years.
This unique program dealt even-handedly with animation, documentary, and experimental film, welcoming such artists as Jan Lenica, John and Faith Hubley, Emile DeAntonio, Jean Rouch, Ricky Leacock, Jonas Mekas, Bruce Baillie, Yvonne Rainer and Michael Snow. Frequently, guests such as Octavio Paz, Stanley Cavell, and Rudolph Arnheim appeared as well.
Nearly 100 programs were produced during the years Screening Room was broadcast. Recently, The Museum of TV and Radio in New York City offered to copy the two-inch master tapes that had been given to the Film Study Center.
Film/Video, Folk Music, Biography and Autobiography, Dance, Filmmakers, Media and Visual Arts, Music, The Arts, World Music
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© 2009 Tribeca Film Institute
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